Monday, 26 November 2007
The Big 5 security concerns
Well, this week is different..... it's the Big 5. This is not the P5, although the sudden appearance of metal detectors, body searchers and airport style access and security measures does suggest a high profile summit meeting with a few juicy targets.
I was informed by someone who works at Trade Centre that the reason for this was 'A. Sheikh' was attending. However, I discovered this morning the 'A. Sheikh' seemed to have spent the day elsewhere giving a 100% rise to the national charity budget. So I suppose the security must have been to protect the revolutionary warm toilet seat technology on prominent display next to a large plastic rock with a fountain on top.
It was a bit freaky. I nearly got lost after having to go in an unfamiliar entrance and was rather disoriented after being taken into a (very) small cubicle and zapped with a metal detector by a furious looking woman. Thank god I wasn't wearing an underwired bra ....
Saturday, 24 November 2007
At last .. some money
Saturday, 10 November 2007
The Thirdline Gallery and B21


I may have said this before but Al Quoz Industrial Zone 3 does not sound like a particularly attractive place. However, sitting alongside commercial laundries, warehouses and car repair workshops are two of the best galleries in Dubai - B21 and the Thirdline.
New exhibitions have just opened and both feature work by well-known Iranian artists - Fereydoun Ave and Monir Shahroudy Farmanfarmaian. Fereydoun Ave was born in 1945 in Teheran but spent some of his childhood in the UK. He then studied fine art in the US before returning to Teheran in 1970. Recently inspired by seeing new work by Cy Twombly, a key influence and mentor, Ave began new work. The B21 exhibition is entitled Lal Dahlias and is a series of mixed media work with an intense focus on those flowers, which were brought into his house to commemorate his mother (Lal).
Most of the dahlias are red although yellow makes a few appearances and there is one solitary blue. The impression as you enter the gallery is that of being surrounded by continuous little red explosions that you can almost hear. As you move closer they become more muted because many are covered by tracing paper applied while the paint is still very wet. The paper can obscure but not absorb the original image and is unable to hide the streaks of red racing like blood down the page. Several individual images like this are arranged into larger works making the layers and types of paper another key element. Sometimes one piece of the montage will just depict an outline sketch making a stark contrast to the urgent red splashes.
The Thirdline gallery also has a good website so you can get a glimpse of the beautiful reverse painted glass and mirror geometries of Monir Shahroudy Farmanfarmaian. She was born in 1924 in Qazvin, in north-western Iran. After two years at Teheran University, she went to New York in 1945 and studied at the Parsons School of Design. She worked as a layout artist at Bonwit Teller alongside Andy Warhol and stayed in New York until 1957, immersed in the richness of emergent abstract expressionism and minimalism. Apparently, she also hung out with Jackson Pollack…. it’s hard not to be jealous.
She travelled throughout Iran on her return, exploring the historical richness of Iranian folk art and architecture. Her use of mirrors to create large geometric images reflects a form of architectural decoration in the 18th century when mirrors imported from Europe often arrived in Iran broken. The mirrors were salvaged and the pieces cut and reshaped to form geometric mirror mosaics. Another folk art technique was reverse glass painting also used to decorate houses and tents, often in more remote or tribal areas of Iran. These two elements are very visible in this exhibition.
The mix of mirrors with reverse painted glass creates a sublime beauty of reflection and intense almost metallic colour. I would love to know exactly what kind of paint this is but it was not specified. In some pieces very minimal use of this intense colour is highly effective, suggesting the difficulty of locating beauty among multiple reflections of a harsher reality. At the same time, Farmanfarmaian’s strict adherence to the underlying rules of geometry - balance (mizan) and unity (tawid) – gives each piece a reassuring strength and solidity.
This exhibition also features other work including hand drawn geometric designs and three memory boxes from a series she called ‘Heartaches’. The boxes use a rich mix of evocative materials and mementoes and seem very much like Farmanfarmaian’s very own personal folk art.
Iranian Art Links
Elahe Gallery – With extensive links to artists and other galleries in Iran
Teheran Museum of Contemporary Art – Contemporary work by Iranian artists and fascinating listing of the rarely seen western archive.
Friday, 2 November 2007
They all come at once..
November 1 – 11 Central Perk, Mirdiff
November 25 – 30 Bert's Café, The Greens
Thursday, 25 October 2007
Sussing the buses
Framing Plan C fell into place yesterday too. Found Art House Dubai on Wasl Road. Not only can they can do my frames quickly and reasonably but they are very helpful and friendly as well. This was most welcome because it took me nearly two hours to get there from Al Ghubaiba bus station!
Picked up some prints from Bank Street and then walked to the bus station. Took a zig zag route through the back streets which was quicker and much more interesting. There are lots of little tailors shops and when I get some money that purple silk embroidered Salwar Khameez top is mine... assuming I can find that street again.
At the bus station, I got a very impressive looking timetable telling me the bus I wanted ran every 20 minutes. Sat down and waited and waited and waited. Sun moved round and I was no longer sitting in the shade but still I waited, determined to sit it out. After an hour and ten minutes the bus arrived but refused to let the massive crowd of people get on for another 20 minutes. The women first etiquette broke down entirely although the seats are still reserved if you can actually get on the bus. So I was right there in the scrum near the front, trampling lesser individuals under foot in the bloodbath that ensued for a seat on the bus. After waiting for that long violence is a legitimate option.
On the way back I waited at a bus stop for half and hour but hungry, sweaty and worried that the battery on my MP3 player was about to give up taking my sanity with it... I caved in and hailed a cab. Great driver... Pakistani guy who's been here 17 years and pointed out all the properties owned by members or associates of the Bhutto family on the way.
Now I know where Art House Dubai is, there are a few other buses I can probably get that far up Wasl Road but this will involve walking between bus stops in Al Ghubaiba on the constant look out for whichever bus arrives first. On closer inspection I noticed that I had been given the Ramadan timetable but I'm sure the times listed are irrelevant any time of year. Still it is worth having as is the map showing all the routes and stops. The times may bear no relation to reality but there are worse things to do than people watch in a Dubai bus station for an hour and a half. Just make sure you music player is fully charged.
Monday, 22 October 2007
Festival City
Still it was educational as all wild goose chases are, and I have concluded that I actually hate malls. This is quite disturbing given where I live but it seems that every time I go to a mall I am never able to find what I want. One consolation was the ACE hardware shop which I wandered around for some time. I really like hardware shops, not sure why but they make me feel all warm and fuzzy.
Decided to get the bus back to Bur Dubai and asked someone how to get to the bus stop. She told me but with a very disturbing look on her face. Followed directions up to a point and then understood the look. The only way to the bus stop was crossing two 4 lane highways and scaling two small walls. I gave up and schlepped all the way back to Ikea for a taxi. Got a bit lost and did some unscheduled desert trekking behind ACE. This could have been crap but saw 2 different species of bird and 2 different kinds of flower. This unusual abundance of nature got me optimistic that I might bump into a hissing sand snake but sadly not. Next time maybe....
Monday, 15 October 2007
What I did on my holidays..
Wednesday, 10 October 2007
Swimsuit Fashion
Anyway, I turned up a few days ago and they were all there so I got on with the swim thinking they would be gone within minutes and then all the bloody outside lights came on! I wear a full swimsuit but obviously that is not enough. After much staring and a quite bizarre and awkward atmosphere I abandoned the swim after 10 minutes.
If I don't have that daily swim there is a danger that I will murder my husband, several of our neighbours and possibly throw myself from the top of that Rolex building on the other side of the creek. So a solution had to be found.
I remembered a news story I read about a Muslim girl in Australia who wanted to be a bodyguard. Given the inevitable physical exposure this would require, her parents were adamant that she pursue another career option! However, she was so determined to be a bodyguard she invented the 'burkhini'. Inspired by this, I came up with my own version involving a swimsuit, cycling shorts and a long t-shirt... all in black of course!
I am amazed at how much difference it makes. I can get on with my serious laps of the pool without feeling exposed and the workmen can get on with the tiling without being overly distracted by a semi naked woman. The bonus is that it increases resistance so you actually have to work that little bit harder to maintain speed and motion. It's like moving the exercise routine up a level!
Am now thinking that I should get n touch with the inventor of the Burkhini, suggest she goes global and offer to be her representative in the UAE. Tried to find the name of the inventor but couldn't. Did find a reference on Grapeshisha posted a year ago ..... so am already way too late for the international franchise opportunities!
Sunday, 7 October 2007
Identity, Transience and the Eternal Landscape
Ravindra said that he primarily uses colour and light to express an idea, and the management of shapes within the image space create the dynamic and suggest the feeling. The idea of ‘darkness’ relates to the external negativity of political and historical reality, and to the internal negativity often present as a consequence of that reality. He believes that the fundamental perception of the artist is of a common human identity that does not perceive or mark division. Therefore there is always some tension with political perceptions in which lines are inevitably drawn.
The idea that darkness can be fought is positive and present in much of the work on display in this exhibition. There are only three works in which darkness is literally represented by colour, giving the overall impression that the strength of brighter colours will always prevail.
This is definitely a very colourful exhibition but as he also said “Sri Lanka is a very colourful country”.
Unfortunately there are not any images from this show available on line yet but I have managed to get one here. For a look at contemporary artists in Sri Lanka in general please click on the link: Art Lanka
The second artist in this show, Tarek Al Ghoussein, is a Palestinian photographer, born in Kuwait and now living in the UAE. He teaches Photography at the School of architecture and design at the American University of Sharjah.
He also works in a series and exhibited here was an installation of six prints that make up the Untitled C series. Printed on Rice paper the series also explores identity but more directly in relation to transience and disintegration.
It is difficult to convey the effect of the installation in a small room where the viewers must walk in a zig-zag through the 6 sequential images hanging across the room with three on each side.
In the first image, a large mound is covered with a blue tarpaulin in a stark, barren and almost colourless landscape. Images 2 and 3 begin a gradual disintegration of the first image. Suddenly in image no. 4 the figure of a man appears, his back to the viewer and his head obscured by the blue tarpaulin. In picture 5 he is gone, and now there are only different sized pieces of blue tarpaulin, clinging to a wire fence and fighting the wind for their survival. In the final image all that remains are tiny fragments of blue in the stark and barren landscape.
Tarek likes working on series because the process is open so it can evolve as the work progresses. He said that this piece was kind of apocalyptic as it ends with nothing but traces of what went before. However, when exiting this installation you can take the same steps backwards so that the effect is then one of constructing something from nothing.
Blue tarpaulin is a constant image in the UAE as it is used to cover buildings where construction is underway and there is a lot of construction under way! However, the installation itself is not specific to any one place raising as it does, several different, though connected, issues in the mind.
What I personally liked was how it heightened the perception of time, in a way similar to certain video works in which one image is shown over an unspecified period. This connection actually made me imagine what the location might sound like which was a nice extra dimension.
Most of the images and some earlier work are here Tarek al Ghoussein: Photographs and for contemporary Palestinian artist images please click Palestine Index.
One of the best resource sites with extensive links to Palestinian, Middle East and International Gallery and Arts Sites is the Birzeit University Virtual Gallery.
(This post also appear on the Absolute Arts site.)
Saturday, 6 October 2007
Death and Taxes
I am now on the penultimate stage of being UAE street legal. I’ve got that pink piece of paper and I’ve had the blood test. Am just awaiting the results and the health ‘insurance‘ and then I should have that coveted stamp in my passport.
Both spouse and myself are completely covered by his company’s global insurance. However, we still have to pay for UAE health insurance even though we will never actually need to use it. What makes it worse, is that I have to take out a separate policy rather than just being added to the spouse policy. Being female, this costs a lot more because of what appears to be compulsory maternity cover. Given that we can’t have children this is patently absurd. When we pointed this fact out we were asked if we had any document to prove it. Of course we bloody don’t!! The tests were done over 10 years ago and if we did ever have any piece of paper that told us the bad news we probably ripped it up into tiny pieces and consigned it to the bin.
We have since discovered that there are actually cheaper and easier ways to do all of this but given that spouse’s company had no presence here before, they didn’t have a clue! So it has been a matter of research, trial, error and expense. In fact we have lost track of the amount of money that has been paid in the course of this whole process. I can’t decide, however, if you are buying your residency or just paying a year’s tax in advance!!