Introducing ceramicist, Branka Vrhovski-Stanton
My interest
in ceramics started with adult education classes, first in Croatia and then in
UK. That was followed by a Diploma in Ceramics at Goldsmith College London, and subsequent self-employment as a ceramic maker and pottery instructor at
various places.
A few years after,
I started to write what I then understood as an article on the basic nature of
such works in ceramics, that treat the hand built container type shape as a
theme on its own. That “article” soon
managed to take the place of my making: something unimaginable to me before it
actually happened, as ceramics was my dream-come-true kind of work. The writing
took me on an epic journey, swallowing the next seventeen years and then some
more, its wheels dragging as I was trying to disengage. Though still a part of
my life, I no longer write except an occasional presentation that has so far not
found its way into print.
In order to
disengage myself from this venture and its all-consuming nature, I enrolled
again in adult education classes to help me re-start with the making. When I
was ready, my starting point, as before, has been the vessel
form.
The works that I am showing now result from this period. All are hand built from rolled
slabs of clay and/or coiled. They are painted with slips, engobes and glazes.
Some are more planned then others. They present my exploration of this
particular shape from three different yet intermingling aspects: pottery,
expressive and painterly container oriented ceramics. How the work will
continue, is yet to be seen.
Which other artists do you like or
find particularly interesting?
In ceramics,
mostly the makers whose work is centred on the empty ceramic container type
work. Hans Coper, Gordon Baldwin, Alison Britton, Ken Eastman, Marit Tingleff,
to mention a few.
Painting interests me too (I was a self-taught painter before encountering ceramics).
My latest interest is Roger Hilton’s work.
Why is making art important to you?
It is my
therapy as is so often said, but also my need and sometimes -or often- my
headache too. It is, as also said, primeval: it gathers the earth, the heat, the
water and apprentices poor ceramicists who bring their offerings to the kiln
for the kiln’s gods to decide!
It is also,
for me, the primary form of all human arts: its primary content, the space we
live in and that surrounds us and its mental counterpart, the consciousness,
both simultaneously the most distant to our senses and the most intimately
involved with us, it is also the content that potentially contains all.
What would help you to develop your
art further in the future?
Time, as I
am starting again and not in my prime, and opportunities to exhibit.
Rising Talent: Young and emerging artists at the Hastings Arts Forum 2017
25th July – 6th August
Private View: 28th July 6.30 - 8.30
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